Zinc use in moku hanga2/2/2024 ![]() Untitled (street) (2009) etching on paper Untitled (old man) (2009) etching on paper No. This body of work, entitled, " Still Lives", follows this recurrent character once again and brings together ideas of surveillance, existence, suppression, control and order. These particular etchings shown above consist of combined techniques: hard ground, soft ground, aquatint, spit-biting, selective wiping and others. Still Lives series : Calculated Opportunities (2010) etching on paper Falling in Silence (2010) etching on paper Carnival (2010) etching on paper In Silence (2010) etching on paper The Encounter (2010) etching on paper The Last Order (2010) etching on paper Show-Room (2010) etching on paper Studies: Wall (2011) collagraph on paper Wall (ii) (2011) collagraph on paper Close-up: Wall (ii) (2011) collagraph on paper Close-up: Wall (ii) (2011) collagraph on paper Wall (iii) (2011) collagraph on paper Wall (iv) (2011) collagraph on paper Wall (v) (2011) collagraph on paper Tower (2011) collagraph on paper Still Lives series: Interior (2011) etching on paper Still Lives series: Clearance (2011) etching on paper Still Lives series: Standby (2011) etching on paper Dragon (i) (2016) woodcut on paper Dragon (i) (2016) woodcut on paper Dragon (i) (2016) woodcut on paper Dragon (i) (2016) woodcut on paper Dominic's (pink) (2016) woodcut and chine colle on paper After St. Because I'm Worth It! (2017) screenprint on paper Crouching Tiger (2017) woodcut and chine colle on paper Animal Antics Series : Giraffe (2018) woodcut and chine colle on paper Tiger (2018) [colour versions of both will be available at a later date too) Dragon (2018) woodcut on paper Two Chinese Lion Dancers (2018) woodcut block Imagine (2019) screenprint (made with hand-cut stencils) onto paper A Walk to Remember (2019) woodcut on Fabriano ![]() Hummingbird (2019), wood engraved block - my first ever time at this! I hope to take this up as well in the not so distant future! Stork at Sunset (2019), mini mokuhanga woodcut - this as a proof which I will develop into a realised coloured woodcut print at a later date. Coming Home (2020), woodcut on plywood and monoprint Some are available for sale but opportunities to buy will be announced at a later date. I do also like as well how woodblock printing has an oriental cultural connection attached to it and this is important to me because I think it is important to know where your roots are. Many have commented how my finished blocks have a sculptural quality to them and could form artworks themselves as well as the print produced. Again, I enjoy the physicality of the process and took to the medium quite easily, probably because of how hands-on it is and my love of working directly with materials to create something really interesting. More recent works have involved me working in woodblock printing, where I hand-carve my designs into Japanese plywood to create striking print images for exhibition and sale. I love a challenge and I find the medium very versatile and I love all the different effects you can create. The more complicated the etching, the more time consuming and labour intensive it will be. The artist can use complicated methods to create different effects, but always relies on acid to etch the plate. The etching process involves sheets of metal, usually made of copper or zinc, and acid is used to etch the print onto the metal. Etching is a printmaking process that dates back around 500 years. My earlier printmaking practice began with specialising in etching. ![]() Much of my work exist as woodblock prints or etchings but I have also made lino prints, screen-prints, monoprints, collagraphs, embossings and lithographs too. Recommended Age: 12 and up with adult supervision.I find printmaking a really fun and challenging medium to work with and I see it as an extension of my drawing. This educational and fun kit is ideal for making unique greeting cards, gifts, posters or even great works of art! Full instructions are included. You can make many prints with the water based ink whilst keeping your work space clean with the handy ink tray. The 3-in-1 Baren is a tool for transferring ink from your lino block to paper, but can also be used as a desk tidy for your cutters and as a stamping tool when used with the included self-adhesive Softcut™ discs. The 6 different lino cutters allow varied carving styles, whilst the safety cutter and hand guard ensure safe working for younger or less experienced users. You can experiment with artisan printing techniques and compare traditional lino and the new Softcut materials, which add new possibilities for beginners and experienced users alike. This comprehensive kit includes a wide selection of tools and materials for Lino cutting and printing. Raw Materials for Specialist Decorating.
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